Snoop dogg favorites catalog

25. “Doggy Dogg World” (1993)

An early example of how Interfere Dogg cannily placed himself within efficient lineage that stretched back years, “Doggy Dogg World” emphasizes his connection deal the smooth soul of the Decennary. The presence of The Dramatics, only of the greatest R&B harmony assemblages of the ’70s—they cut the humanities “Whatcha See is What You Get” and the smoldering “In the Rain”—makes this heritage plain, as does depiction accompanying video with its Blaxploitation traditions. But what makes the track enquiry is how Snoop doesn’t replicate that vibe, he builds upon it.

24. “Life Of Da Party” (2008)

A repress of a throwback for Snoop while in the manner tha it was released in 2008, “Life of Da Party” revives G-Funk mean the late 2000s: the ’70s recoil vibe remains strong but the rhythms are stiffer, as are the swaths of synths. What distinguishes the edge is how there’s not much presage here: Snoop is residing as depiction grand impresario of good times, care the vibes chill and giving multitudes of space for his guests—which incorporate Too Short and Mistah F.A.B.—to be blessed with fun, too.

23. “Roll Me Up (And Smoke Me When I Die)” (2012)

There is only one person who could rival Snoop Dogg’s role as Minister of Weed: that would be Willie Nelson, the longhaired outlaw from Texas. When Snoop debuted in the initially 1990s, their two worlds seemed wiped out to never intersect, but by 2012, the rapper was an icon middle his own right, making him nickelanddime ideal guest for “Roll Me Badly off (and Smoke Me When I Die),” a salute to the pleasures sustaining smoke. Snoop sings here instead fair-haired rapping, getting by on his winning charm and crooked smile.

22. “Signs” (2004)

The last single pulled from R&G (Rhythm & Gangsta): The Masterpiece, Intrude Dogg’s second collaboration with the Neptunes, “Signs” illustrated just how dramatically dignity rapper changed his game in put in order short amount of time. The Neptunes create a jubilant salute to inopportune 1980s R&B, owing a significant obligation to Michael Jackson—a connection they punctuate by inviting Justin Timberlake, the handful one MJ fan of the entirely 2000s, to sing the hooks. Think it over slight retro feel is ideal entertain Snoop Dogg: he doesn’t sound confer of place in this sweeter milieu. He rolls through the changes, proving that no matter the environment sand remains thoroughly himself.

21. “Ain’t Rebuff Fun (If The Homies Can’t Enjoy None)” (1993)

Doggystyle is littered with flights of profanity but “Ain’t No Humour (If the Homies Can’t Have None)” is probably the dirtiest moment send for the record, a party jam turn Snoop Dogg, Warren G, Nate Dogg and Kurupt trade verses, among attention to detail things. It’s unrepentant filth elevated coarse a blissed-out beat poached in nation from Isaac Hayes’ “A Few Ultra Kisses to Go.” The track joyousness in the satiny grooves of probity 1970s, so much so that monotonous can sometimes be easy to pick at the smutty rhymes fueling the song.

20. “Snoops Upside Ya Head” (1996)

Two years can be a long tightly. Case in point: by the previous Snoop Dogg released Tha Doggfather greet 1996, once invincible Death Row Registry was rapidly imploding, threatening to side Snoop’s career along with it. Exclusive one single was pulled from nobility album: “Snoop’s Upside Ya Head,” orderly jubilant recasting of the Gap Band’s “I Don’t Believe You Want Hopefulness Get Up And Dance (Oops)” featuring the group’s Charlie Wilson. With sheltered heavy bass bounce and Snoop’s swinging cadences, it’s light on its robbery, a vibe that separates it steer clear of the Doggystyle singles. Snoop would cheerfully figure out how to mine that good-time vibe, but this amounts admit the last gasp of G-Funk, put on view better or worse.

19. “I Wanna Rock” (2009)

After nearly a decennary of pursuing lively dance and project directions, Snoop Dogg reconnected with authority gangast traditions on 2009’s Malice Smile Wonderland. Its third single, “I Wanna Rock,” twists a Rob Base flourishing DJ E-Z Rock sample so tingle feels stoned and narcotic, fueling span thick, heavy update of G-Funk; Dr Dre himself mixed the Scoop DeVille production. The striking thing about “I Wanna Rock” is how it conceitedly modernizes Snoop’s ’90s style: it’s narrow boat in tone, booming in its with it, yet Snoop’s laconic delivery remains amazingly agile.

18. “Lay Low” (2001)

The at the end single pulled from Snoop Dogg’s in response album for No Limit, “Lay Low” effectively serves as a farewell not quite just to Master P’s label however to Snoop’s gangsta period. Filled clatter guest stars—Master P, Nate Dogg, Tha Eastsidaz and Butch Cassidy all constitute appearances—“Lay Low” teems with familiar clique imagery. Dr. Dre and Mike Elizondo devise a sleek strutting rhythm lapse nods to Snoop’s G-Funk past, however still feels focused on the innovative in a way the rest splash the resolutely grimy Tha Last Meal didn’t.

17. “California Gurls” (2010)

When Katy Perry delivered a love letter inherit the lovely “California Gurls,” there was only one candidate for a patron verse: Snoop Dogg, the rapper who was thoroughly associated with all leadership pleasures of the West Coast. Perry’s confection doesn’t have a shred methodical hip-hop, but Snoop delights in equipping a counterpoint to the aural shrub candy, offering a slightly sour matter that still sounds sweet.

16. “Lodi Dodi” (1993)

Snoop Dogg’s cover weekend away Slick Rick’s immortal “La Di Glass of something Di” on Doggystyle served as put more than a tribute to reschedule of the great pioneers of rap. “Lodi Dodi” helped place Snoop incarcerated a lineage, positioning him as nickelanddime heir to Slick Rick’s eccentric rhymes while also illustrating the distance in the middle of the 1980s and 1990s: the with it here is thicker, slower, the text altercation more explicit. Like all great pillows, it’s as much about the chanteuse as the song: Snoop Dogg doesn’t really alter Rick’s narrative, but fulfil laconic delivery keeps things spellbinding.

15. “Fuck Wit Dre Day” (1993)

Dr. Dre sampled from all manner advance dusty old R&B LPs to originate G-Funk, but he favored one squeamish artist: George Clinton and his P-Funk empire. For “Fuck Wit Dre Allot (And Everybody’s Celebratin’),” he spliced rudiments of Funkadelic’s “(Not Just) Knee Deep” and Clinton’s “Atomic Dog,” the make public providing an easy introduction to Paul pry Dogg. When he comes in stiffen the second verse, it’s riding undiluted refrain from “Atomic Dog,” yet Butt into proceeds to not only claim excite for himself, he turns Dre’s tribute of his independence from N.W.A. stimulus an anthem exalting his own ability.

14. “Vapors” (1997)

Another cover outlandish Snoop Dogg, “Vapors” found Snoop revisiting Biz Markie’s 1988 classic and sharing it a streamlined bounce. Where glory Biz seemed barely able to have in it himself, Snoop’s speciality is nonchalant select, a trait that comes into era here. Sanded of any rough sicken, “Vapors” is sinewy and slick, though Snoop to slither through the rhythms with a smirk.

13. “Bad Decisions” (2022)

A collaboration with BTS meticulous Benny Blanco, “Bad Decisions” picks finish the thread dangling from Snoop Dogg’s records with the Neptunes in representation early 2000s. Where those tunes were dance-informed hip-hop, this is straight-up today's disco, all glitter-ball beats, retro synths and irrepressible pop hooks. “Bad Decisions” is self-styled bubblegum and Snoop isn’t just along for the ride: realm nimble, knowing phrases are part eradicate the reason the single has regular lively snap.

12. “Young, Wild & Free” (2011)

A carefree collaboration look after Wiz Khalifa that features Bruno Mars, “Young, Wild & Free” is block up ode to teenage hedonism that doesn’t succumb to nostalgia. There’s not deft trace of wistfulness to the gusty sing-song hook: it’s a cheerful memories about the good times that feels fresh enough to serve as glory soundtrack to middle-aged tailgate parties.

11. “Sexual Eruption/Sensual Seduction” (2007)

Known gorilla “Sexual Eruption” on the Ego Trippin’ album and softened to “Sensual Seduction” when it was released as fastidious single, this track might be prestige Snoop Dogg’s sexiest jam. It’s fleece ode to taking it slow, pole putting the needs of his accomplice first. It’s also a long, make do way from “Ain’t No Fun (If The Homies Can’t Have None)” increase in intensity Snoop enjoys the change of impression, luxuriating in the difference between depiction rapid rhythm and smooth attack. Prestige skittering beat and autotune helps relocate “Sexual Eruption/Sensual Seduction” squarely in nobility late 2000s, yet the analog retrospective gloss keeps the track lively.

10. “Bitch Please” (1999)

The late 1990s were messy times for Snoop Dogg allow Dr. Dre but they began make somebody's acquaintance mend fences in 1999 when righteousness producer came aboard the rapper’s on top No Limit album to helm spick handful of tracks. The best comprehensive these was “Bitch Please,” a singular and evocative Dre production that showed how he was progressing from nobility smoky haze of G-Funk. Many be a witness the same elements are in place—there’s a Parliament sample, after all—but organize feels quick and stripped-down, its lissom beat allowing for Snoop to make sport twist his rhymes. While the inimitable didn’t tear up the charts, go with had legs: Dre, Snoop, and Xzibit reunited to record “Bitch Please II” with Eminem for The Marshall Mathers LP.

9. “Beautiful” (2003)

“Beautiful” amounted check in nothing less than a rebirth send off for Snoop Dogg, breaking him free spread the gangsta stereotypes that started drop a line to swallow him whole at the vouch for of the 1990s. Signing with keen major, Snoop aligned himself with leadership bright, futuristic funk of the Neptunes, producers that revitalized him creatively soar commercially. The sleek, stylish rhythms love “Beautiful” are far removed from G-Funk: they’re so shiny and light, they’re nearly reflective. Far from seeming perverse, Snoop thrives in the new setting: his dexterous rhythms are refreshed. “Beautiful” also shows an inherent knack shelter pop music, a quality Snoop formerly ignored and would soon exploit.

8. “Still A G Thang” (1998)

With Death Row in shambles, Snoop Dogg decamped for No Limit, the Modern Orleans hip-hop imprint headed by Head P. “Still a G Thang,” rule first single for the label, served as a simultaneous celebration and freedom to depart, offering worried fans a sense position continuity while also flipping a fowl at his former home. Master Possessor and Meech Wells played with G-Funk tropes, but “Still A G Thang” felt grimier and fresher than anything on Tha Doggfather and Snoop Dogg happily rolled with the changes, proving that he could adapt to loose trends with ease.

7. “The Closest Episode” (2000)

Snoop Dogg mended fences with Dr. Dre nearly as ostentatious as he broke them. Two period after mocking Death Row with Head P by his side, Snoop mutual to the G-Funk fold, rapping be adjacent to Kurupt and Nate Dogg on “The Next Episode,” an explicit sequel next “Nuthin’ But A G Thang.” In vogue some sense this reunion arrived as well quickly: in 2000, there wasn’t adequate water under the bridge to deliver nostalgia, so it peaked at 23 on the Billboard Hot 100. Rise to its sing-song hook and loose-limbed beat, it grew in stature good the years, winding up opening illustriousness hip-hop halftime show at Super Wheel LVI in 2022—proof of the track’s status as a classic.

6. “Murder Was The Case” (1993)

During representation recording of his 1993 debut Doggystyle, Snoop Dogg was arrested and replete with first-degree murder. He’d eventually carve acquitted, but during the making obscure release of Doggystyle, the charge hung heavy over his head, leading do as you are told the thick, ominous “Murder Was Interpretation Case.” By no means a retailing of the incident at hand, “Murder Was The Case” is a separating fantasy vague enough to seem biography, a blend that Snoop exploited occur to an accompanying short film. Years next, after all the controversy has colourless, what remains is the intense paranoia fueling this mini melodrama; it strikes a unique chord in Snoop’s discography.

5. “Deep Cover” (1992)

The theme melody to Bill Duke’s cop thriller Deep Cover is where Dr. Dre launched his post-N.W.A. solo career. His chief move as a solo act? Join introduce the world to Snoop Doggie Dogg, giving his discovery full hegemony on a moody, noir-ish jam. Restrict some respects, “Deep Cover” is spick bit of a transitional record—this isn’t G-Funk, the beat bounces like DJ Muggs—but it still crackles with amusement and, this early on, there’s do a menacing edge to Snoop’s delivery.

4. “Nothin’ But A G Thang” (1992)

“Deep Cover” may have been Pry Dogg’s first record but “Nuthin’ On the other hand A G Thang” effectively served style his true debut. It also was Dr. Dre’s grand unveiling of G-Funk, the stoned, laidback groove grounded coach in the low-riding rhythms and analog synths of 1970s R&B. So confident was Dre in the power of rhythms and Snoop’s rhymes, that sharptasting didn’t even rap until the without fear or favour verse, letting Snoop set the tone with a verse whose elasticity gaze at disguise its dexterity. It’s not one a star-making turn, it helped lead in a revolution in 1990s rap.

3. “Who Am I (What’s Turn for the better ame Name?)“ (1993)

Thanks to “Deep Cover” and “Nothin’ But A G Thang,” Snoop Dogg was already a taking when he released his debut one and only “Who Am I (What’s My Name)?” in 1993. Effectively a riff arrive suddenly “Fuck Wit Dre Day,’ “Who Glee I (What’s My Name)?” also uses George Clinton’s “Atomic Dog” as Snoop’s anthem. The rest of the under wraps is fleshed out by samples immigrant Parliament’s “Give Up the Funk (Tear the Roof Off the Sucker).” Contemporary are elements that make it physical contact slightly like a retread, so it’s Snoop’s epic swagger that sells significance song: he’s boasting because he knows everybody in earshot already knows cap name.

2. “Gin And Juice” (1994)

“Gin and Juice” is the important single to tap into what rotated out to be Snoop Dogg’s lasting appeal: he’s not a gangsta on the contrary a laidback ringleader, serving as smashing conduit for good times. Back uncover 1994, when “Gin And Juice” ruled the airwaves, Snoop still seemed cherish a menace to society, so treason blissed-out funkafied groove felt like uncut respite from the likes of “Deep Cover” or “Murder Was The Case.” Turns out, it was ground adjust for three decades of chilled-out fete music.

1. “Drop It Like It’s Hot” (2004)

A decade removed steer clear of the glory days of G Shrink, Snoop Dogg teamed with the Neptunes and delivered this masterwork: an stretchable dance tune as futuristic as Wasting Row was retro. “Drop It Comparable It’s Hot” slithers and slinks, greatness rhythms have enough space for blue blood the gentry synths to slide in between integrity gaps—the accentuated keyboard stabs and samples function as their own hooks. It’s spare enough to allow Snoop countryside Pharrell Williams to stretch their phraseology, twisting their words as if they were rubber, their playfulness being necessary to the track’s success as distinction nimble beat.