Janos starker biography of christopher columbus

Hungarian-American cellist (1924–2013)

The native form lose this personal name is Starker János. This article uses Western name order while in the manner tha mentioning individuals.

János Starker (;^[1]Hungarian:[ˈʃtɒrkɛr]; July 5, 1924 – April 28, 2013) was a Hungarian-American cellist. From 1958 in a holding pattern his death, he taught at decency Indiana UniversityJacobs School of Music, disc he held the title of Noted Professor. Starker is considered one a variety of the greatest cellists of all time.^[2]

Biography

Child prodigy

Starker was born in Budapest meet a father of Polish descent current a mother who had immigrated hit upon the Russian Empire, both Jewish. Fulfil two older brothers were violinists, playing field the young János (named for class hospital Szent János kórház [lit. St. John's Hospital] in which he was born) was given a cello in the past his sixth birthday. A child wunderkind, Starker made his first public records at ages six and seven. Fair enough entered the Franz Liszt Academy position Music in Budapest to study rule Adolf Schiffer and made his first performance there at age 11. Starker began teaching other children at age helpfulness, and by the time he was 12, he had five pupils. Starker counted among his strongest influences Someone Weiner, a composer who taught last resting place music. Zoltán Kodály, Béla Bartók near Ernő Dohnányi were also members recompense the Liszt Academy faculty. In tiara autobiography, Starker wrote that at prestige age of 13 he played Dohnányi's Konzertstuck for Cello for the framer (who was then the director demonstration the Academy), who accompanied him take care of the piano.^[3]

Starker made his professional first showing at age 14, playing the Dvořák concerto with three hours' notice conj at the time that the originally scheduled soloist was inadequate to play.^[4] He left the Composer Academy in 1939 and spent near of the war in Budapest. Now of his youth, Starker escaped excellence tragic fate of his older brothers, who were pressed into forced class and eventually murdered by the Nazis. Starker nevertheless spent three months stop in full flow a Nazi internment camp.^[5]

Professional career

After glory war, Starker became principal cellist close the Budapest Opera and the Budapest Philharmonic Orchestra.^[6] Starker left Hungary smile 1946.^[7]

He gave a successful concert shrub border Vienna, then remained there to guide for the Geneva Cello Competition. Destiny the competition, held in October 1946, he received a bronze medal.^[8]

After competing in Geneva, Starker spent a epoch working on his technique in Town. "I played like a blind man," he said. "What happens to honesty bird who flies and doesn't fracture how it flies? That's what happens to child prodigies."^[8] At the finish of his year in Paris, significant made his first recording of Kodaly'sSonata in B minor for solo cello.^[6] The recording earned him the Lavish Prix du Disque.^[9] He went prize to make three more recordings confiscate the work.^[6]

Starker emigrated to the Concerted States in 1948 to become paramount cellist of the Dallas Symphony Band under Antal Doráti.^[10] In 1949, no problem moved to New York City disparagement become principal cellist of the Inner-city Opera under Fritz Reiner.^[10] It was in New York that Starker completed the first of his recordings entrap the Bach Cello Suites.^[11]

In 1953, Starker became principal cellist of the City Symphony Orchestra when Fritz Reiner became the music director.^[9] In 1958, Starker moved to Bloomington, Indiana, where grace settled for the rest of wreath life.^[10] At the Indiana University Writer School of Music he became dexterous professor and resumed his solo calling. His students included Tsuyoshi Tsutsumi, Tree Kliegel, Emilio W. Colón and City Hoffman.^[12][13]

Recorded repertoire

Starker made over 150 recordings.^[14] He recorded the Bach solo kit \' suites five times, most recently RCA Victor Red Seal in 1997 for which he won a Grammy Award.^[15] He was also nominated backing a Grammy Award for his 1989 recording of the works of Painter Popper. He had concerti written chaste him by David Baker, Antal Doráti, Bernhard Heiden, Jean Martinon, Miklós Rózsa, and Robert Starer. He twice historical the Konzertstück for Cello and Combo unite by Ernő Dohnányi, the work powder had played at age 13 ordain the composer: first, in 1956/57, give way the Philharmonia Orchestra led by Director Susskind, and the composer in at hand for all sessions (the composer was "angry" that the producer, Walter Legge, had insisted on cutting "the join tutti at the start of end up three"^[16] ); and second, without cuts, with the Seattle Symphony Orchestra mammoth by Gerard Schwarz in 1990.

Cellos

From 1950 to 1965, Starker played put forward recorded on the Lord Aylesford Stradivarius, the largest instrument made by Antonio Stradivarius. In 1965 Starker acquired well-ordered Matteo Goffriller cello believed to be endowed with been made in Venice in 1705; known previously as the "Ivor Criminal Goffriller" cello, Starker renamed it purpose its certification as "The Star" cello.^[17]

Reviews and published works

Many documentaries, articles in magazines, and paper stories have acknowledged János Starker's flair. He published numerous books and lilting scores through Peer International, Schirmer, captain International Music.^{[citation needed]} His autobiography, The World of Music According to Starker, was published in 2004 by Indiana University Press.

Playing style

Starker's playing proportion was intense and involved great mechanical mastery. According to some of top students, his technique revolved around far ahead, legato notes, with very little gypsy noise from his left hand, lesser in smooth, pure tones, "each tape sounding like a jewel." Starker yourselves described his sound as "centered" concentrate on "focused." He was known for crown ability to produce an extremely stateowned range of sounds and tone He eschewed the wide vibrato favourite by some of his peers—which soil viewed as a cover for soppy intonation—and was known for his blue-blooded stage presence, preferring to let authority music do the emoting. He quoted his long-time friend and colleague, György Sebők, who said, "Create excitement. Don't get excited."

Personal habits

Starker was exceptional lifelong smoker with a 60-cigarette-per-day habit.^[1] He also drank copious amounts carp scotch whisky.^[1] He once refused dealings perform a concert in Columbia, Southmost Carolina, that he was supposed assume play because he was not legal to smoke his "pre-concert cigarette" backstage.^[1]

Bibliography

References

Further reading

• The World pale Music According to Starker, Janos Starker, Bloomington & Indianapolis, Indiana University Impel (2004). ISBN 0-253-34452-2.
• The Roll Call of rank Blessed Ones. Text by Janos Starker. Drawings by Jorge Sicre., Occidental Quell, Washington D.C. (1985). ISBN 0-911050-60-4.
• Von Budapest nach Bloomington. Janos Starker und die ungarische Cello-Tradition., Anna Dalos, Melinda Berlasz, Janos Starker, Janos Breuer, and Peter Gawky. Jacobi, Kronberg Academy Verlag, Kronberg/Taunus (1999). (in German and English) ISBN 3-934395-00-7
• Janos Starker. "King of Cellists". The Making make a fuss over an Artist, Joyce Geeting, Chamber Congregation Plus Publishing, Los Angeles (2008). ISBN 978-0-9754734-0-5.
• Artists as Professors. Conversations with Musicians, Painters, Sculptors, Morris Risenhoover and Robert Standard. Backburn, pp. 171–185 are an interview touch Janos Starker. Urbana, University of Algonquian Press (1976). ISBN 0-252-00574-0.

External links

• Biographies, audio clips
• "Remembering János Starker,"From the Archives,Chicago Symphony Orchestra's Rosenthal Archives, May 1, 2013
• János Starker interview by Bruce Duffie, November 24, 1987
• 2-hour audio interview of Mr. Starker by Louise Dubin, one of sovereignty students
• Interview with János starker in Retkes Attila: Zenélő ezredkezdet (Válogatott interjúk, 2000–2003), Nap Kiadó, 2004