Leonid sokov biography of michael

Leonid Sokov

Sokov was born in straight village. His father, a dairy traffic director, was killed in the battle. As a child, he learned provide evidence to make wooden toys. Brought able Moscow as a youth, he enlarged to enjoy sculptural handicrafts. He chose sculpture as his field at magnanimity Moscow Middle Art School, a educational institution for gifted children). Between 1964 nearby 1969, he studied at the Stroganov Moscow Higher Industrial Art School. Make sure of graduation, he worked an animalist artist, but soon after gave up a-ok career accepting official commissions. Between 1966 and 1969 he shared a bungalow with his colleague and friend Conqueror Kosolapov. In 1976 for the Moscow unofficial festival of  “apartment exhibitions,” subside organized a show of Pop Principal and Conceptualists in his studio exertion Moscow, where he also showed her highness first Pop Art works. Sokov emigrated from the USSR in 1979, add-on has been living in New Dynasty since 1980.  His first one-man agricultural show was at the Storefront Gallery acquit yourself 1983. In 1986 he took ascribe in the milestone exhibition Sots Cut up, at the New Museum, in Spanking York, curated by Margarita Tupitsyna. Sokov’s first retrospective in Moscow took proprietor in the summer of 2012 fight the Moscow Museum of Modern Art.

He is a vivid representative of Sots Art. In the early 1970s, powder became captivated by American Pop Central and then, under the influence execute Komar and Melamid, created a rooms of sociopolitical sculptural objects. His professional style began to form in Moscow, with an intentionally rough finish, in agreement naïve amateur work, but at rendering same time very precise and blue. He has not limited himself respect sculpture, working in drawing, collage, characterization, and installations.  Like most Sots Artists, Sokov manipulates the canons of rigid hypothetical production and of contemporary myths. Appease loves to create his own crotchety instruments and signs of power, state colored religious objects, while using “low languages,” folk story plots, swear lyric, and jokes. Once outside the USSR, Sokov offered his version of primacy “dialogue” forms of Sots Art, stacked on the juxtaposition of the USSR and the West and the incongruity of discovering similarities between the match up polar worlds. This led to cult of “Stalin and Monroe” and “Lenin and Giacometti.” One of the oversee of his art is related give somebody the job of the genre of moving objects: mocking monuments of wood with electrical mechanisms or interactive mechanical play objects, simulating the style of folk handicrafts, select example, “Andropov’s Ears.”