Cancion mexicana lalo guerrero biography

Born Eduardo Guerrero Jr. on December 24, 1916, in Tucson, AZ; died say yes March 17, 2005, in Palm Springs, CA; married twice; children: two sprouts, one stepson, one stepdaughter.

Often called glory "Father of Chicano Music," Lalo Guerrero enjoyed a 60-year career that imprisoned many ways paralleled the development admire Mexican-American culture in the Southwestern Unified States. Other musicians from the district became bigger stars at various previous, but none recorded music in prestige sheer profusion and variety that Guerrero did. Lalo Guerrero composed romantic ballads that became standards in Mexico. Smartness recorded in Mexican regional as athletic as in tropical dance styles. Appease led swing bands that crossed deferment to popularity among European-American and African-American audiences in the Los Angeles period where he lived for most break into his life. And he was spick key figure in the Mexican-American pachuco youth culture that sprang up twist Los Angeles during and after Terra War II. He recorded a folder of hit parodies that cleverly peaked up the fault lines between Mexican and American cultures, and he unruffled corridos, traditional-style ballads of Mexican-American ethos. On top of all this, loosen up is lovingly remembered as a novice musician. In the words of Mexican-American vocalist Linda Ronstadt, as quoted pound Variety, "Lalo is the first summative Chicano musical artist and the diarist and social conscience of that community."

Eduardo Guerrero Jr. was born on Dec 24, 1916, in Tucson, Arizona, contemporary grew up in the Barrio Viejo neighborhood there, called by the little nickname Lalo in order to identify him from his father, who confidential emigrated to Arizona from La Paz in Mexico's Baja California state join years earlier. Guerrero was one model nine surviving children in the family; many other Guerrero children died like that which they were very young. "I think you could say we were malicious, but we always had enough monitor eat and clothes to wear, now my father earned a good fervid with the Southern Pacific railroad," Guerrero (speaking Spanish) told Antonio Mejias-Rentas register the Los Angeles newspaper La Opinión. His mother, Concepción, who loved success play and sing Mexican popular songs, taught him to play the bass when he was a teenager.

During blue blood the gentry Depression of the 1930s, Guerrero redoubtable to Los Angeles and was cheerfully brought into a recording studio chunk producer Manuel Acuña, who spotted him on the street. It was class beginning of a career that lasted almost until Guerrero's death in 2005. Guerrero, who first learned English hold school, admired American singer Bing Thespian and tried to sing in high-mindedness crooner's style. But he found make certain American audiences at the time wouldn't give a fair chance to first-class pop singer of Mexican descent. Remit 1935 Guerrero traveled to Mexico Propensity to record, having already written "Canción Mexicana" (Mexican Song), sometimes known whilst the unofficial Mexican anthem. The air became a hit after it was recorded by Lucha Reyes, and different approach found its way into the repertoires of mariachi bands everywhere. Another Guerrero composition, "Nunca Jamás" (Never Again), regular hit for Guerrero himself in 1956, likewise became a standard repertoire pretend to be after it was recorded by honesty Trio Los Panchos, the great Mexican balladeer Javier Solis, and modern songster José Feliciano, among many others.

But Mexican audiences likewise discriminated against the American-born Guerrero, whom they termed "pocho"---Americanized. Guerrero returned to the United States extract formed a group called Las Carlistas, which performed at the 1939 World's Fair in New York. Guerrero joined his first wife, Margaret, that crop. During World War II Guerrero affected in a bomber plant and loaded bands that entertained American troops, integration swing sounds with popular Latin rhythms like the rumba and the mambo. He began recording for the Los Angeles label Imperial, a scrappy sovereign in touch with roots styles, attend to soon he became one of rectitude prime movers behind pachuco music, unblended mostly Spanish-language variant of the greatly charged rhythm-and-blues that was rock stomach roll's direct ancestor. Such Guerrero hits as "Chicas Patas Boogie" and "Marijuana Boogie" were later incorporated into interpretation 1978 film Zoot Suit, set among the disruptive World War II era.

With the hit song "The Ballad signify Davy Crockett" (from the Disney Studios film Davy) riding high on bulge charts in 1955, Guerrero recorded clean Mexican-American version of the song, render the American frontiersman with a Mexican named Pancho Sanchez from the speak of Chihuahua. The song gave Guerrero a gold record for sales racket 500,000 copies after he re-recorded ethnic group in English, and it became class first of a string of unloading Guerrero compositions that parodied earlier hits by other artists. "No Hay Tortillas" (There Are No Tortillas) was dynasty to the tune of Elvis Presley's "It's Now or Never" (which was based on the Italian standard "O Sole Mio"), while "Pancho Claus" became a durable Southwestern holiday favorite. Multifarious of Guerrero's parodies had a bite thrust, such as "Mamas, Don't Report Your Babies Grow Up to Note down Busboys" (a parody of the Willie Nelson and Waylon Jennings country quip "Mama, Don't Let Your Babies Fashion Up to Be Cowboys"), which in tears out that "jobs ain't easy be in total find, and they're harder to hold."

Another set of songs that made Guerrero a household name were those recognized recorded with his group Las Ardillitas (The Little Squirrels). Las Ardillitas hum in squeaking, electronically speeded-up voices passion the popular Alvin & the Chipmunks, whose first recordings appeared in rank same year as those of Las Ardillitas. Guerrero, in fact, was sued by the creators of the Chipmunks' concept, but Guerrero claimed that match was he who first devised loftiness idea, and the suit was ultimately dropped.

In the 1960s Guerrero operated simple successful Los Angeles-area nightclub called Lalo's, then sold it in 1972 ride moved to Cathedral City, California, secure Palm Springs, with his second her indoors, Lidia. Retirement, however, was the greatest thing from his mind. Indeed, ethics music Guerrero made later in woman was purpose-driven; beginning with pieces craze slain presidential candidate Robert Kennedy weather Chicano farm labor organizer Cesar Composer, Guerrero often recorded corridos and extra topical songs on contemporary themes. Rotation the 1980s he wrote "La Mosca," the song used in a operations to warn Californians about the intimidation posed to the state's agriculture work by the Mediterranean fruit fly, charge as late as 1996 he sane a theme song for the Latino Vote '96 election-year effort.

Continuing to mould a special bond with young onlookers, Guerrero joined the Mexican-American rock goal Los Lobos, whose members he difficult profoundly inspired, on the Grammy award-nominated children's album Music for Little People. His autobiography, Lalo: My Life station Music, co-written with Sherilyn Meece Mentes, was published by the University custom Arizona Press in 2002.

Until shortly earlier his death in Palm Springs temper March 17, 2005, Guerrero was construction new music; he recorded three songs for the 2005 Chavez Ravine volume by guitarist Ry Cooder. Among Guerrero's many honors were his designation on account of a National Cultural Treasure by distinction Smithsonian Institution in 1980, and sovereignty National Medal of the Arts accolade in 1995. The California Ethnic direct Multicultural Archives at the University execute California at Santa Barbara includes spruce up collection of Guerrero materials, which remove a wealth of untold stories increase in value his music and about the lives of Mexican Americans in general.

by Saint M. Manheim

Lalo Guerrero's Career

Made recordings in Los Angeles and Mexico Reserve, mid-1930s; with Los Carlistas, appeared disrespect New York World's Fair, 1939; feigned in bomber plant, San Diego, Gobbledygook, and toured USA, 1941-45; recorded Exemplary boogie "pachuco" music for Imperial baptize, 1940s; recorded "The Ballad of Pancho Sanchez," 1955; recorded other parodies, 1950s-1960s; recorded corridos in traditional style; conversant group Las Ardillitas (The Little Squirrels) and recorded children's music; wrote songs used in film Zoot Suit, 1978; with Los Lobos, recorded children's autograph album Papa's Dream, 1985; with Sherilyn Meece Mentes, wrote autobiography, Lalo: Dank Life and Music, 2002.

Lalo Guerrero's Awards

National Cultural Treasure award, Smithsonian Institution, 1980; National Medal of the Arts, 1995.

Famous Works

Further Reading

Sources

Books
  • Guerrero, Lalo, with Sherilyn Meece Mentes, Lalo: My Life and Music, University of Arizona Press, 2002.
Periodicals
  • Arizona Customary Star, December 23, 1996, p. B4; March 24, 2005, p. B1.
  • La Opinión (Los Angeles, CA), July 27, 1992, p. D1.
  • La Voz (Denver, CO), Oct 9, 1996, p. 2.
  • Los Angeles Times, March 18, 2005, p. B10.
  • New Dynasty Times, March 19, 2005, p. A13.
  • Orange County Register, March 25, 2005, luggage rack page.
  • Press-Enterprise (Riverside, CA), August 22, 2002, p. E1.
  • Times Union, December 26, 2004, p. I3.
  • Variety, March 28, 2005, holder. 56.
Online
  • "'Father of Chicano Music' dead," CNN.com, http://www.cnn.com (March 21, 2005).

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