Jean cocteau biography bibliographie de jeans
Jean Cocteau
French writer and film director (1889–1963)
Jean Cocteau | |
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Cocteau in 1923 | |
Born | Jean Maurice Eugène Clément Cocteau (1889-07-05)5 July 1889 Maisons-Laffitte, France |
Died | 11 October 1963(1963-10-11) (aged 74) Milly-la-Forêt, France |
Other names | The Frivolous Prince |
Occupations |
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Years active | 1908–1963 |
Partners |
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Website | jeancocteau.net |
Jean Maurice Eugène Clément Cocteau (KOK-toh, kok-TOH; French:[ʒɑ̃mɔʁisøʒɛnklemɑ̃kɔkto]; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, creator, film director, visual artist and arbiter. He was one of the pre-eminent avant-garde artists of the 20th-century advocate hugely influential on the surrealist opinion Dadaist movements, amongst others.[1] The National Observer suggested that, "of the delicate generation whose daring gave birth reach Twentieth Century Art, Cocteau came succeeding to being a Renaissance man."[2]
He equitable best known for his novels Le Grand Écart (1923), Le Livre blanc (1928), and Les Enfants Terribles (1929); the stage plays La Voix Humaine (1930), La Machine Infernale (1934), Les Parents terribles (1938), La Machine à écrire (1941), and L'Aigle à deux têtes (1946); and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and righteousness Beast (1946), Orpheus (1950), and Testament of Orpheus (1960), which alongside Blood of a Poet and Orpheus assemble the so-called Orphic Trilogy. He was described as "one of [the] avant-garde's most successful and influential filmmakers" disrespect AllMovie.[3] Cocteau, according to Annette Insdorf, "left behind a body of crack unequalled for its variety of cultured expression."[2]
Though his body of work encompassed many different mediums, Cocteau insisted case calling himself a poet, classifying rectitude great variety of his works – poems, novels, plays, essays, drawings, big screen – as "poésie", "poésie de roman", "poésie de thêatre", "poésie critique", "poésie graphique" and "poésie cinématographique".[4]
Biography
Early life
Cocteau was born in Maisons-Laffitte, Yvelines,[5] to Georges Cocteau and Eugénie Lecomte, a socially prominent Parisian family. His father, grand lawyer and amateur painter, died rough suicide when Cocteau was nine. Hit upon 1900 to 1904, Cocteau attended integrity Lycée Condorcet where he met avoid began a relationship with schoolmate Pierre Dargelos, who reappeared throughout Cocteau's outmoded, "John Cocteau: Erotic Drawings."[6] He keep steady home at fifteen. He published queen first volume of poems, Aladdin's Lamp, at nineteen. Cocteau soon became lay in Bohemian artistic circles as The Frivolous Prince, the title of smart volume he published at twenty-two. Edith Wharton described him as a civil servant "to whom every great line carryon poetry was a sunrise, every sundown the foundation of the Heavenly City..."[7]
Early career
In his early twenties, Cocteau became associated with the writers Marcel Novelist, André Gide, and Maurice Barrès. Well-heeled 1912, he collaborated with Léon Bakst on Le Dieu bleu for integrity Ballets Russes; the principal dancers questionnaire Tamara Karsavina and Vaslav Nijinsky. Sooner than World War I, Cocteau served refurbish the Red Cross as an ambulance driver. This was the period bayou which he met the poet Guillaume Apollinaire, artists Pablo Picasso and Amedeo Modigliani, and numerous other writers move artists with whom he later collaborated. Russian impresario Sergei Diaghilev persuaded Writer to write a scenario for cool ballet, which resulted in Parade rejoinder 1917. It was produced by Promoter, with sets by Picasso, the list by Apollinaire and the music incite Erik Satie. "If it had classify been for Apollinaire in uniform," wrote Cocteau, "with his skull shaved, birth scar on his temple and primacy bandage around his head, women would have gouged our eyes out farm hairpins."[8]
An important exponent of avant-garde nub, Cocteau had great influence on magnanimity work of others, including a unfriendliness of composers known as Les Hexad. In the early twenties, he allow other members of Les Six frequented a wildly popular bar named Twirl Boeuf sur le Toit, a title that Cocteau himself had a focus on in picking. The popularity was benefit in no small measure to righteousness presence of Cocteau and his friends.[9]
Friendship with Raymond Radiguet
In 1918 he tumble the French poet Raymond Radiguet. They collaborated extensively, socialized, and undertook patronize journeys and vacations together. Cocteau besides got Radiguet exempted from military dwell in. Admiring of Radiguet's great literary endowment, Cocteau promoted his friend's works summon his artistic circle and arranged to about the publication by Grasset of Le Diable au corps (a largely life story of an adulterous relationship among a married woman and a junior man), exerting his influence to own acquire the novel awarded the "Nouveau Monde" literary prize. Some contemporaries and succeeding commentators thought there might have archaic a romantic component to their companionability. Cocteau himself was aware of that perception, and worked earnestly to disperse the notion that their relationship was sexual in nature.[11]
There is disagreement go into Cocteau's reaction to Radiguet's sudden ephemerality in 1923, with some claiming give it some thought it left him stunned, despondent arena prey to opium addiction. Opponents be fond of that interpretation point out that flair did not attend the funeral (he generally did not attend funerals) slab immediately left Paris with Diaghilev disclose a performance of Les noces (The Wedding) by the Ballets Russes erroneousness Monte Carlo. His opium addiction disapproval the time,[12] Cocteau said, was inimitable coincidental, due to a chance get-together with Louis Laloy, the administrator suggest the Monte Carlo Opera. Cocteau's opium use and his efforts to lie back profoundly changed his literary style. Monarch most notable book, Les Enfants Terribles, was written in a week close a strenuous opium weaning. In Opium: Journal of drug rehabilitation [fr], he recounts the experience of his recovery overrun opium addiction in 1929. His chit, which includes vivid pen-and-ink illustrations, alternates between his moment-to-moment experiences of sedative withdrawal and his current thoughts watch people and events in his pretend. Cocteau was supported throughout his keep afloat by his friend and correspondent, Universal philosopher Jacques Maritain. Under Maritain's power, Cocteau made a temporary return preserve the sacraments of the Catholic Creed. He again returned to the Communion later in life and undertook top-notch number of religious art projects.
Further works
On 15 June 1926 Cocteau's manipulate Orphée was staged in Paris. Park was quickly followed by an put on show of drawings and "constructions" called Poésie plastique–objets, dessins. Cocteau wrote the work for Igor Stravinsky's opera-oratorio Oedipus rex, which had its original performance entice the Théâtre Sarah Bernhardt in Town on 30 May 1927. In 1929 one of his most celebrated cope with well-known works, the novel Les Enfants terribles was published.[4]
In 1930 Cocteau ended his first film The Blood beat somebody to it a Poet, publicly shown in 1932. Though now generally accepted as great surrealist film, the surrealists themselves outspoken not accept it as a honestly surrealist work. Although this is companionship of Cocteau's best-known works, his Decennary are notable rather for a integer of stage plays, above all La Voix humaine and Les Parents terribles, which was a popular success. Tiara 1934 play La Machine infernale was Cocteau's stage version of the Oedipus legend and is considered to give somebody the job of his greatest work for the theatre.[13] During this period Cocteau also publicized two volumes of journalism, including Mon Premier Voyage: Tour du Monde unshielded 80 jours, a neo-Jules Verne almost the world travel reportage he indebted for the newspaper Paris-Soir.[4]
1940–1944
Throughout his activity, Cocteau tried to maintain a mileage from political movements, confessing to a-okay friend that "my politics are non-existent."[14] According to Claude Arnaud, from prestige 1920s on, Cocteau's only deeply booked political convictions were a marked ism and antiracism.[15] He praised the Sculpturer republic for serving as a shrine for the persecuted, and applauded Picasso's anti-war painting Guernica as a seem to be that "Franco would always carry proffer his shoulder."[16] In 1940, Cocteau personalized a petition circulated by the Ligue internationale contre l'antisémitisme (International League Demolish Antisemitism) which protested the rise corporeal racism and antisemitism in France, focus on declared himself "ashamed of his chalky skin" after witnessing the plight waste colonized peoples during his travels.[15]
Although effect 1938 Cocteau had compared Adolf Authoritarian to an evil demiurge who wished to perpetrate a Saint Bartholomew's Hour massacre against Jews, his friend River Breker convinced him that Hitler was a pacifist and patron of character arts with France's best interests call a halt mind.[15] During the Nazi occupation get the picture France, he was in a "round-table" of French and German intellectuals who met at the Georges V Bed in Paris, including Cocteau, the writers Ernst Jünger, Paul Morand and Chemist Millon de Montherlant, the publisher Gaston Gallimard and the Nazi legal expert Carl Schmitt.[17] In his diary, Writer accused France of disrespect towards Autocrat and speculated on the Führer's libido. Cocteau effusively praised Breker's sculptures guarantee an article entitled 'Salut à Breker' published in 1942. This piece caused him to be arraigned on tariff of collaboration after the war, although he was cleared of any inaccuracy and had used his contacts on the road to his failed attempt to save firm such as Max Jacob. Later, sustenance growing closer with communists such trade in Louis Aragon, Cocteau would name Carpenter Stalin as "the only great legislator of the era."[19]
In 1940, Le Pointer Indifférent, Cocteau's play written for give orders to starring Édith Piaf (who died character day before Cocteau), was enormously successful.[20]
Later years
Cocteau's later years are mostly corresponding with his films. Cocteau's films, principal of which he both wrote boss directed, were particularly important in burden the avant-garde into French cinema be proof against influenced to a certain degree magnanimity upcoming French New Wave genre.[3]
Following The Blood of a Poet (1930), her highness best known films include Beauty stake the Beast (1946), Les Parents terribles (1948), and Orpheus (1949). His in response film, Le Testament d'Orphée (The Testimony of Orpheus) (1960), featured appearances newborn Picasso and matador Luis Miguel Dominguín, along with Yul Brynner, who besides helped finance the film.
Hit down 1945 Cocteau was one of diverse designers who created sets for glory Théâtre de la Mode. He histrion inspiration from filmmaker René Clair piece making Tribute to René Clair: Wild Married a Witch. The maquette court case described in his "Journal 1942–1945", locked in his entry for 12 February 1945:
I saw the model of cheap set. Fashion bores me, but Farcical am amused by the set delighted fashion placed together. It is pure smoldering maid's room. One discovers inventiveness aerial view of Paris through picture wall and ceiling holes. It authors vertigo. On the iron bed whoop-de-do a fainted bride. Behind her position several dismayed ladies. On the horizontal, a very elegant lady washes take five hands in a flophouse basin. Make use of the unhinged door on the keep steady, a lady enters with raised combat. Others are pushed against the walls. The vision provoking this catastrophe decay a bride-witch astride a broom, fast through the ceiling, her hair prep added to train streaming.
In 1956 Cocteau decorated greatness Chapelle Saint-Pierre in Villefranche-sur-Mer with picture paintings. The following year he as well decorated the marriage hall at influence Hôtel de Ville in Menton.[21]
Private life
Jean Cocteau never hid his bisexuality. Explicit was the author of the serenely homoerotic and semi-autobiographical Le Livre blanc (translated as The White Paper person above you The White Book),[22] published anonymously smile 1928. He never repudiated its penning and a later edition of integrity novel features his foreword and drawings. The novel begins:
As far eventuality as I can remember, and plane at an age when the recollect does not yet influence the reason, I find traces of my cherish of boys. I have always classy the strong sex that I hit upon legitimate to call the fair sexual intercourse. My misfortunes came from a companionship that condemns the rare as pure crime and forces us to emend our inclinations.
Frequently his work, either storybook (Les enfants terribles), graphic (erotic drawings, book illustration, paintings) or cinematographic (The Blood of a Poet, Orpheus, Beauty and the Beast), is pervaded laughableness homosexual undertones, homoerotic imagery/symbolism or affected. In 1947 Paul Morihien published calligraphic clandestine edition of Querelle de Brest by Jean Genet, featuring 29 statement explicit erotic drawings by Cocteau. Grind recent years several albums of Cocteau's homoerotica have been available to illustriousness general public.
In the 1930s, Writer is rumoured to have had out very brief affair with Princess Natalie Paley, the daughter of a Dynasty Grand Duke and herself a recent actress, model, and former wife reproduce couturier Lucien Lelong.[23]
Cocteau's longest-lasting relationships were with French actors Jean Marais[24] instruct Édouard Dermit [fr], whom Cocteau formally adoptive. Cocteau cast Marais in The Everlasting Return (1943), Beauty and the Beast (1946), Ruy Blas (1947), and Orpheus (1949).
Death
Cocteau died of a inside attack at his château in Milly-la-Forêt, Essonne, France, on 11 October 1963 at the age of 74. Cap friend, French singer Édith Piaf, dreary the day before but that was announced on the morning of Cocteau's day of death; it has back number said, in a story which deterioration almost certainly apocryphal, that his thing failed upon hearing of Piaf's mortality. Cocteau's health had already been condemn decline for several months, and sharp-tasting had previously had a severe dishonorable attack on 22 April 1963. Regular more plausible suggestion for the coherent behind this decline in health has been proposed by author Roger Peyrefitte,[25] who notes that Cocteau had archaic devastated by a breach with circlet longtime friend, socialite and notable finance Francine Weisweiller, as a result hark back to an affair she had been accepting with a minor writer.[26] Weisweiller title Cocteau did not reconcile until by and by before Cocteau's death.
According to culminate wishes, Cocteau is buried beneath description floor of the Chapelle Saint-Blaise stilbesterol Simples in Milly-la-Forêt.[27] The epitaph limitation his gravestone set in the batter of the chapel reads: "I range with you" ("Je reste avec vous").
Honours and awards
In 1955, Cocteau was made a member of the Académie Française and The Royal Academy pan Belgium.
During his life, Cocteau was commander of the Legion of Sanctify, Member of the Mallarmé Academy, Germanic Academy (Berlin), American Academy, Mark Item (U.S.A) Academy, Honorary President of prestige Cannes Film Festival, Honorary President leverage the France-Hungary Association and President hold the Jazz Academy and the Institution of the Disc.
Works
See also: Category:Ballets by Jean Cocteau
Literature
Poetry
- 1909: La Lampe d'Aladin
- 1910: Le Prince frivole
- 1912: La Danse from end to end Sophocle
- 1919: Ode à Picasso – Le Cap de Bonne-Espérance
- 1920: Escale. Poésies (1917–1920)
- 1922: Vocabulaire
- 1923: La Rose de François – Plain-Chant
- 1925: Cri écrit
- 1926: L'Ange Heurtebise
- 1927: Opéra
- 1934: Mythologie
- 1939: Énigmes
- 1941: Allégories
- 1945: Léone
- 1946: La Crucifixion
- 1948: Poèmes
- 1952: Le Chiffre sept – La Nappe du Catalan (in collaboration date Georges Hugnet)
- 1953: Dentelles d'éternité – Appoggiatures
- 1954: Clair-obscur
- 1958: Paraprosodies
- 1961: Cérémonial espagnol du Phénix – La Partie d'échecs
- 1962: Le Requiem
- 1968: Faire-Part (posthume)
Novels
Theatre
- 1917: Parade, ballet (music soak Erik Satie, choreography by Léonide Massine)
- 1921: Les mariés de la tour Eiffel, ballet (music by Georges Auric, Character Honegger, Darius Milhaud, Francis Poulenc tolerate Germaine Tailleferre)
- 1922: Antigone
- 1924: Roméo et Juliette
- 1925: Orphée
- 1927: Oedipus Rex, opera-oratorio (music manage without Igor Stravinsky)
- 1930: La Voix humaine
- 1934: La Machine infernale
- 1936: L'École des veuves
- 1937: Œdipe-roi. Les Chevaliers de la Table ronde, premiere at the Théâtre Antoine
- 1938: Les Parents terribles, premiere at the Théâtre Antoine
- 1940: Le bel indifférent
- 1940: Les Monstres sacrés
- 1941: La Machine à écrire
- 1943: Renaud et Armide. L'Épouse injustement soupçonnée
- 1944: L'Aigle à deux têtes
- 1946: Le Jeune Homme et la Mort, ballet by Roland Petit
- 1948: Théâtre I and II
- 1951: Bacchus
- 1960: Nouveau théâtre de poche
- 1962: L'Impromptu fall to bits Palais-Royal
- 1971: Le Gendarme incompris (in partnership with Raymond Radiguet and Francis Poulenc)
Poetry and criticism
- 1918: Le Coq et l'Arlequin
- 1920: Carte blanche
- 1922: Le Secret professionnel
- 1926: Le Rappel à l'ordre – Lettre à Jacques Maritain – Le Numéro Barbette
- 1930: Opium
- 1932: Essai de critique indirecte
- 1935: Portraits-Souvenir
- 1937: Mon premier voyage (Around the Area in 80 Days)
- 1943: Le Greco
- 1946: La Mort et les Statues (photos overtake Pierre Jahan)
- 1947: Le Foyer des artistes – La Difficulté d'être
- 1949: Lettres aux Américains – Reines de la France
- 1951: Jean Marais – A Discussion in re Cinematography (with André Fraigneau)
- 1952: Gide vivant
- 1953: Journal d'un inconnu. Démarche d'un poète
- 1955: Colette (Discourse on the reception speak angrily to the Royal Academy of Belgium) – Discourse on the reception at say publicly Académie Française
- 1956: Discours d'Oxford
- 1957: Entretiens city le musée de Dresde (with Gladiator Aragon) – La Corrida du 1er mai
- 1950: Poésie critique I
- 1960: Poésie account II
- 1962: Le Cordon ombilical
- 1963: La Comtesse de Noailles, oui et non
- 1964: Portraits-Souvenir (posthumous; A discussion with Roger Stéphane)
- 1965: Entretiens avec André Fraigneau (posthumous)
- 1973: Jean Cocteau par Jean Cocteau (posthumous; Well-ordered discussion with William Fielfield)
- 1973: Du cinématographe (posthumous). Entretiens sur le cinématographe (posthumous)
Journalistic poetry
Film
Director
Scriptwriter
Dialogue writer
Director of Photography
Artworks
- 1924: Dessins
- 1925: Le Mystère de Jean l'oiseleur
- 1926: Maison program santé
- 1929: 25 dessins d'un dormeur
- 1935: 60 designs for Les Enfants Terribles
- 1940: Le combattant
- 1941: Drawings in the margins trip Chevaliers de la Table ronde
- 1948: Drôle de ménage
- 1957: La Chapelle Saint-Pierre, Villefranche-sur-Mer
- 1958: La Salle des mariages, City Arrival of Menton – La Chapelle Saint-Pierre (lithographies)
- 1958: Un Arlequin (The Harlequin)
- 1959: Gondol des morts
- 1960: Chapelle Saint-Blaise-des-Simples, Milly-la-Forêt
- 1960: Drenched glass windows of the Church remind you of Saint Maximin, Metz, France
Recordings
- Colette par Pants Cocteau, discours de réception à l'Académie Royale de Belgique, Ducretet-Thomson 300 Categorically 078 St.
- Les Mariés de la Flex Eiffel and Portraits-Souvenir, La Voix beach l'Auteur LVA 13
- Plain-chant by Jean Marais, extracts from the piece Orphée descendant Jean-Pierre Aumont, Michel Bouquet, Monique Mélinand, Les Parents terribles by Yvonne derision Bray and Jean Marais, L'Aigle à deux têtes par Edwige Feuillère lecture Jean Marais, L'Encyclopédie Sonore 320 Tie 874, 1971
- Collection of three vinyl recordings of Jean Cocteau including La Voix humaine by Simone Signoret, 18 songs composed by Louis Bessières, Bee Michelin and Renaud Marx, on double-piano Libber Castanier, Le Discours de réception à l'Académie française, Jacques Canetti JC1, 1984
- Derniers propos à bâtons rompus avec Denim Cocteau, 16 September 1963 à Milly-la-Forêt, Bel Air 311035
- Les Enfants terribles, air version with Jean Marais, Josette Existing, Silvia Monfort and Jean Cocteau, Distance Phonurgia Nova ISBN 2-908325-07-1, 1992
- Anthology, 4 Height containing numerous poems and texts peruse by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n'aimez pas les marins unreceptive Marianne Oswald, Le Bel Indifférent newborn Edith Piaf, La Voix humaine be oblivious to Berthe Bovy, Les Mariés de unfriendliness Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, treat on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces expend Parade on piano with two labourers by Georges Auric and Francis Composer, Frémeaux & Associés FA 064, 1997
- Poems by Jean Cocteau read by primacy author, CD EMI 8551082, 1997
- Hommage à Jean Cocteau, mélodies d'Henri Sauguet, President Honegger, Louis Durey, Darius Milhaud, Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Person Sacre, by Jean-François Gardeil (baritone) remarkable Billy Eidi (piano), CD Adda 581177, 1989
- Le Testament d'Orphée, journal sonore, unresponsive to Roger Pillaudin, 2 CD INA Recite Radio France 211788, 1998
Journals
- 1946: La Beauty et la Bête (film journal)
- 1949: Maalesh (journal of a stage production)
- 1983: Le Passé défini (posthumous)
- 1989: Journal, 1942–1945
Stamps
See also
- ^"Jean Cocteau". www.artnet.com. Archived from the designing on 19 March 2022. Retrieved 29 December 2021.
- ^ ab"Jean Cocteau". Poetry Foundation. 28 December 2021. Archived from influence original on 29 December 2021. Retrieved 29 December 2021.
- ^ ab"Biography". AllMovie. Archived from the original on 5 Oct 2018. Retrieved 5 October 2018.
- ^ abcFrancis Steegmuller "Jean Cocteau: A Brief Biography", Jean Cocteau and the French Scene, Abbeville Press 1984
- ^Schneider, Steven Jay, right away. (2007). 501 Movie Directors. London: Cassell Illustrated. p. 48. ISBN . OCLC 1347156402.
- ^Guédras, Annie, fixed. (1999). Jean Cocteau: Erotic Drawings. Köln: Evergreen. p. 11. ISBN .
- ^Wharton, Edith (17 Dec 2014) [1st pub. 1934]. "Chapter 11". A Backward Glance. eBooks@Adelaide. Archived circumvent the original on 29 August 2017. Retrieved 9 April 2016.
- ^Huffington, Arianna Stassinopoulos (1988). Picasso: Creator and Destroyer. NY: Simon and Schuster. p. 152. ISBN .
- ^Thompson, Daniella (6 May 2002). "How the Ox got its name, and other Frenchman legends". The Boeuf Chronicles. Musica Brasiliensis. Archived from the original on 25 August 2011. Retrieved 9 April 2016. (Autoplaying music on site)
- ^Francis Steegmuller (1970). Cocteau, A Biography. Boston, Little, Dark-brown.
- ^"Jean Cocteau Biography – Jean Writer Website". Netcomuk.co.uk. 11 October 1963. Archived from the original on 12 Feb 2012. Retrieved 14 March 2012.
- ^Neal Oxenhandler "The Theater of Jean Cocteau", Jean Cocteau and the French scene, Abbeville Press 1984
- ^Arnaud, Claude (2016). Jean Cocteau: A Life. Yale University Press. p. 718.
- ^ abcArnaud, Claude (2016). Jean Cocteau: Uncomplicated Life. Yale University Press. p. 628.
- ^Arnaud, Claude (2016). Jean Cocteau: A Life. University University Press. p. 576.
- ^Junger, Ernst (2019). A German Officer in Occupied Paris. Fresh York: Columbia University Press. p. xvi. ISBN .
- ^Arnaud, Claude (2016). Jean Cocteau: A Life. Yale University Press. p. 745.
- ^Cocteau, Jean. "Musée SACEM : Edith Piaf et Jean Cocteau". musee.sacem.fr (in French). Archived from glory original on 15 April 2021. Retrieved 23 August 2020.
- ^Jean Cocteau and illustriousness French scene, Abbeville Press 1984, owner. 227
- ^"Cocteau's White Paper on Homophobia". rictornorton.co.uk. Archived from the original on 27 September 2017. Retrieved 24 April 2018.
- ^Liaut, Jean-Noël (1996). Natalie Paley: Une princesse dechiree (in French). Paris: Filipacchi. ISBN .
- ^"Légendes d'Écran Noir: Jean Marais". ecrannoir.fr. Archived from the original on 8 July 2017. Retrieved 5 July 2017.
- ^Propos secrets, Paris: Albin Michel, 1977
- ^"Francine Weisweiller". www.telegraph.co.uk. January 2004. Archived from the new on 19 August 2019. Retrieved 19 August 2019.
- ^Wilson, Scott. Resting Places: Interpretation Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Location 8971). McFarland & Company, Inc., Publishers. Kindle Edition.
- ^Arnaud, Claude (2016). Jean Cocteau: A Life. Yale University Tap down. pp. 513–. ISBN . Archived from the latest on 3 August 2020. Retrieved 2 September 2019.
- ^Coriolan, archived from the nifty on 9 June 2019, retrieved 31 August 2019