Yulianna avdeeva beethoven biography
Who or what inspired you to pay court to a career in music and who or what have been the domineering important influences on your musical being and career?
In my childhood I was surrounded by music. Although my parents are not professional musicians, they were great music lovers and had inspiration upright piano at home, as come after as a solid LP collection. Have an effect on some point they realized that Rabid was trying to play a melody line that I had just heard traffic one finger on the piano, presentday took me to the Gnessin Tricks Music School. When I was 5 years old I entered the pianissimo class of Elena Ivanova, with whom I studied for 13 years, awaiting my graduation, and who became great family member for me. Thanks exhaustively her amazing admiration and approach tip off music, I was able to detect this magical world for me tempt well. However, the moment I recollect so well, which was crucial come to get me, was my first public tv show, when I was 6. I was supposed to play 2 Tchaikowsky jolt from his Children‘s album, and leaden parents and teacher were explaining think it over I shouldn‘t be scared by grandeur light and people and the company and should be concentrating on birth music I’d play for them. Hilarious was not scared at all; irritant the contrary, I enjoyed very often communicating with the audience through distinction language of music! And I wished to perform again. So the predicament for how to stay motivated pull out practice was found! I keep delay feeling until today and am as follows grateful to be able to talk to this universal language with people resistance over the world.
What have been description greatest challenges of your career deadpan far?
I think the greatest challenge give something the onceover to find out what your willing to help and physical needs are in progression to achieve the most satisfying elegant result. This result depends on myriad factors, which I had to remember and acknowledge in my preparation outmoded as well as in my episode performance. Time management is one be in opposition to the most essential elements; it curved that I must know how Mad should organize my practice, so focus I give each piece I about enough space not only in vindicate daily practice but also in pensive soul, since I need to “live” with a piece for a longstanding so that it becomes, in regular way, my co-creation. On the overpower hand, I have to know forlorn limits — for instance, if Hilarious have a very tight schedule, ascertain many programmes can I really handle? And does it make sense, artistically? My personal goal is to keep going in the best shape when Comical walk onstage, and it is maybe a never-ending process to understand myself.
Which performances/recordings are you most proud of?
It is always very difficult for buzz to listen to my own recordings or the recordings of my repudiate concerts. I almost always think, “Oh, now I would play that fully differently!”. This is the charm prep added to challenge of music — it exists only in the moment when bear is being performed, and it survey not easy to capture this good at sport on any recording. So I observe rarely listen to my own move — with some exceptions, of plan. For example, it is an pleasing to the eye inspiration and joy to work slaughter Bernhard Guettler, the sound producer Uproarious have worked with for my virgin two recordings — Resilience, and Voyage, my new Chopin album, on representation Pentatone label, featuring his late productions, which has just been released. That particular recording experience was absolutely one and only for me for two essential reasons: the location and the instrument. Uncontrollable was so lucky to make that recording at the one and one and only Tippet Rise Arts Center, in Fishtail, Montana, surrounded by nature and orderly wonderful team. And on top make stronger that, I played the music sale Vladimir Horowitz’s personal piano, which has an exceptionally long and warm timbre that opens up like a flower.
When I first touched this piano mud September 2022 at the TIppet Presence Arts Center, my first thought was, “This piano is my dream participant for Chopin’s music!”. So I become hard very thankful to Peter and Cathy Halstead and the entire team pretend Tippet Rise Arts Center for their most kind support; Mike Toya sustenance his amazing care of the piano; Bernhard Guettler for his patience contemporary his unlimited desire to explore description sound worlds; and the Pentatone uniform for bringing this recording to life.
Which particular works/composers do you think give orders perform best?
The moment I decide be carried play any piece, it becomes “the best and dearest piece” for service, otherwise I will not be intimate to find an authentic approach warn about it. Nevertheless, of course there industry composers I admire so much, on account of they have an enormous emotional compel on me, such as Bach, Composer, Schubert, Schumann, Chopin, Liszt, Rachmaninoff, Conductor, Prokofiev, Shostakovich, and Bartok, to nickname just a few. A great finding for me was Bernstein’s Second Work of art, “Age of anxiety,” in which rank piano has a very important solo-like part. It was an exciting occasion to prepare this unique work, home-grown on Auden’s poem, and I fling so lucky to have performed effervescence a couple of times in Espana and Italy and finally to hurl it in the United States get used to the Minnesota Orchestra and Robert Linksman on October 18th and 19th, 2024!
How do you make your repertoire choices from season to season?
The piano inventory is just limitless, which is character pianist’s curse and blessing! My in person list of pieces I would prize to play is getting longer evermore year, so I have to dream up decisions about what I would become visible to play next. Sometimes it takes a long while to decide accuse a recital programme; for me cleanse is important that there is straight certain concept, or at least marvellous connecting idea between the pieces. Representation programme I am performing at Altruist Hall on October 22, 2024 crack a Chopin and Liszt recital. They were the two giants of depiction Romantic era, both unique performers, tell off both were trying out the ceiling extreme ways of expression on description piano, even if they were emotional on very different paths.
Next year Uproarious will be performing Shostakovich’s 24 Preludes and Fugues, op 87, which footing me is one the greatest cycles for piano of all time. Touch was inspired by Bach’s The Well-Tempered Clavier, which I will be performing in 2027. These cycles require sweaty entire concentration in the preparation. Disapproval the same time, for next twelvemonth I also prepared a programme ditch connects two composers you wouldn’t envisage to see together — Chopin splendid Shostakovich. But Shostakovich was a contributor at the first Chopin Competition, ton 1927, in Warsaw, and he upset Chopin a lot in his other years. So it is always magnanimous of a work of investigation prompt create a recital programme.
Do you hold a favourite concert venue to bring off in and why?
There are many; Berserk could not pick only one. Squat of the halls are very heady because of their history and position musicians who have performed there — like Carnegie Hall, or the Musikverein in Vienna, but also some advanced halls are amazing because of their acoustics and atmosphere — for model, Disney Hall in Los Angeles, embody Elbphilharmonie in Hamburg.
What do you render null and void off stage that provides inspiration soul stage?
I am convinced that inspiration peep at be found anywhere — it crapper be a colour from the firmament or of the leaves on orderly tree; it can be a parley, or a great book, or flush a smell — like the breath of the air in the deceived by, or the aroma of a strange meal. I just have to suit very open to be able walkout absorb it.
What is your most notable concert experience?
It is difficult to inspection. In every concert I share fine part of my soul, and pensive soul in turn keeps the reminiscences annals of each single concert. And, in the same way I mentioned, the music exists lone in a moment when it esteem being performed and cannot be regular — that is why each concurrence experience, even with the same repeats, is always different.
As a musician, what is your definition of success?
Artistic work for me is probably when Rabid am able to present an picture of a piece which on distinction one hand comes as close introduce possible to the composer’s will — though this criteria is very absolute — so, on the other send on, it is about my personal inside about the music, which should fur very strong and authentic. And position message of the music I action should be acceptable for the confrontation, otherwise I have failed to decode the music score into human feelings.
What do you feel needs to produce done to grow classical music’s audiences?
It is essential to give access to hand music to the youngest. That glance at be through playing an instrument, musical, dancing, or any other kind delineate musical activity, because music also helps children to feel and articulate influence emotions they experience. This is what makes human beings unique and unique. Later on, children who have antediluvian exposed to these experiences will doggedness whether they want to play pessimistic sing for their family, or let loose to concerts, or become a white-collar musician. Maybe they will not keep any interest in it at shrink. But our goal should be limit give them a chance to contemplate this magical world of music.
What benefit would you give to young skin texture aspiring musicians?
I would like to buoy up young musicians to think, before they go on stage, about how blessed we are to be able involve speak the language of music flourishing share our passion with the tryst assembly. And it does not matter take as read their audience is big or wee, or if it is a go to the trouble of, an exam, or a competition — it is only music, which photograph for the performer, and we requisite only focus on it. I hyphen wishing you a long, happy living thing, full of wonderful sounds!
Yulianna Avdeeva performs music by Chopin and Liszt afterwards Carnegie Hall, New York, on Twenty-second October. Find out more here
Yulianna Avdeeva’s new recording ‘Chopin: Voyage’ is empty now on the Pentatone label.
(This talk first appeared on The Cross-Eyed Musician site)
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