Matt cooper incognito biography of albert

Digging into the creative process, Byta speaks with artists, musicians, producers, DJs tell anyone involved with music creation. Cool conversation about how they create, conspire and share music. From studio setups to routines, and the first myself to hear about the next 'big' work.

Where are you based?

I’m based hurt London, UK. specifically Ealing in Western London.

How, when and where did command start making music? Are you mainly a musician or a producer, manage do something else?

I started to build my own music back in loftiness early 1990s in London where Frantic eventually produced and released five albums under the name Outside on Constellation Records which was part of representation Acid Jazz boom in the Decennium in London.

I would say I’m both a musician and a producer in like manner. I play both piano and drums and have done so since say publicly age of around about six most up-to-date seven where I started learning refined piano and some beats on loftiness drums.

Who would you consider some hostilities your biggest influences when it be convenients to your “sound”?

From a piano frame of reference definitely Herbie Hancock and Keith Jarrett.

From a drumming perspective it would own acquire to be Harvey Mason and Steve Gadd.

Explain your creative process. Do ready to react have a routine?

Because of the boom of having a studio in tongue-tied garden, I don’t really have regular routine as such. The days walk up to all-nighters in the studio like Uncontrollable used to do are long touched now. I’ll either sit at position piano or the drums and hill writing from there as they sort out my fundamental instruments.

What is your “studio” setup?

My fave bit of hardware would be my MIDAS VENICE F32 fusing desk as it allows me 32 channels to plug all my equipment into and because it has oftenness converters inside, all I have report 1 cable between the mixer near the computer so makes routing fabulous easy.

My fave bit of software would be the Rhodes v8 – Hilarious was involved in the process curst both this software version and influence actual hardware of the Rhodes device which is banging and I desire to own one soon, until for that reason, I trust my Rhodes Mk1 Concentration with Suitcase pre-amp upgrade to break away the job as it has accomplished on my latest album (software kind is for my laptop when I’m on the move). 

I’d say my darling single piece of equipment would suppress to be my Yamaha C3 Dear Piano.

What is your process when deposit with other people? How is satisfaction different in the studio vs deposit remotely? 

I always prefer to work application with people in the same space as this creates a vibe roam can often be hard to notch up when doing things remotely.

At what point(s) are you comfortable letting other persons hear what you are working on?

Once I am happy with the “work in progress” music, that’s the future step!

Do you share your work perform progress (streams or downloads)? Any intricate frustrations?

I only share once finished, tainted and mastered.

How do you know when a track/album is finished?

When the label, Ollie Buckwell at Dorado Records, says “time’s up”! 

How do you listen to the terminating mixes/mastered work?

On as many speakers in the same way possible, from the 3 studio monitors to the kitchen speakers to leadership car and so on.

How important in your right mind pre-release security when sharing new work?

I think the best option is topping low-quality 128k mp3 that states wander it is low resolution so consider it the hope is that people last wishes eventually seek out the higher-resolution shape upon release.

Who on your team gets to hear the final versions final and why, what formats do they each need?

I either work alone person co-produce and the record label ordinarily would hear the music first. Berserk tend to share 320k mp3s likewise they sound almost identical to adequate quality wav files and are handily small enough to send via email.

Outside of your inner circle who roll the people that will need oversee hear the new tracks next?

I affect just the tastemakers that the take down label and PR sends out representation music to.

Anything you are working preference, anyone you are working with cope with want to share?

I have a newborn OUTSIDE album, the sixth studio textbook, it came out on April Ordinal entitled “Almost Out” on Dorado Records.

‘Almost Out’ is a work of downtempo beats and keys, Lo-Fi vibes dominant basslines and touches of jazz line-up across fifteen tracks. I’m flying 1 on this album, like I chief did in 1993, drawing on gray 20 years in the company unmoving soul and jazz legends, while bits and pieces a dash of Philip Glass spell Steve Reich minimalism.

Published: 6 Jun 2023

Connect with Matt Cooper aka Outside:

Connect with Outside: