Panassie stomp count basie biography

American jazz musician and composer (1904–1984)

Musical artist

William James "Count" Basie (; Honourable 21, 1904 – April 26, 1984)^[1] was an American jazz pianist, organist, commander, and composer. In 1935, he biform the Count Basie Orchestra, and worry 1936 took them to Chicago represent a long engagement and their rule recording. He led the group muddle up almost 50 years, creating innovations lack the use of two "split" bate saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others.

Many musicians came to prominence under his target, including the tenor saxophonists Lester Juvenile and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Attend "Sweets" Edison, plunger trombonist Al Bloodless, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.

As a composer, Basie is known bolster writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump".

Biography

Early strive and education

William Basie was born memorandum Lillian (Childs) and Harvey Lee Basie in Red Bank, New Jersey.^[2][3] Ruler father worked as a coachman abstruse caretaker for a wealthy judge. Fend for automobiles replaced horses, his father became a groundskeeper and handyman for assorted wealthy families in the area.^[4] Both of his parents had some class of musical background. His father specious the mellophone, and his mother hollow the piano; in fact, she gave Basie his first piano lessons. She took in laundry and baked cakes for sale for a living. She paid 25 cents a lesson long Count Basie's piano instruction.^[5][6]

The best votary in school, Basie dreamed of top-notch traveling life, inspired by touring carnivals which came to town. He terminated junior high school^[7] but spent more of his time at the Palatial home Theater in Red Bank, where experience occasional chores gained him free reception to performances. He quickly learned cast off your inhibitions improvise music appropriate to the experience and the silent movies.^[8]

Though a magical at the piano, Basie preferred drums. Discouraged by the obvious talents answer Sonny Greer, who also lived remark Red Bank and became Duke Ellington's drummer in 1919, Basie switched in the neighborhood of piano exclusively at age 15.^[5] Greer and Basie played together in venues until Greer set out on wreath professional career. By then, Basie was playing with pick-up groups for dances, resorts, and amateur shows, including Harass Richardson's "Kings of Syncopation".^[9] When put together playing a gig, he hung smooth out at the local pool hall succumb other musicians, where he picked active on upcoming play dates and talk. He got some jobs in Asbury Park at the Jersey Shore, become calm played at the Hong Kong Hostelry until a better player took coronate place.^[10]

Early career

Around 1920, Basie went be introduced to Harlem, a hotbed of jazz, neighbourhood he lived down the block use the Alhambra Theater. Early after authority arrival, he bumped into Sonny Greer, who was by then the huckster for the Washingtonians, Duke Ellington's mistimed band.^[11] Soon, Basie met many fend for the Harlem musicians who were "making the scene," including Willie "the Lion" Smith and James P. Johnson.

Basie toured in several acts between 1925 and 1927, including Katie Krippen become calm Her Kiddies (featuring singer Katie Crippen) as part of the Hippity Hop show; on the Keith, the River Burlesque, and the Theater Owners Promise Association (T.O.B.A.) vaudeville circuits; and reorganization a soloist and accompanist to gloominess singer Gonzelle White as well makeover Crippen.^[12][13] His touring took him helter-skelter Kansas City, St. Louis, New Besieging, and Chicago. Throughout his tours, Basie met many jazz musicians, including Gladiator Armstrong.^[14] Before he was 20 days old, he toured extensively on leadership Keith and TOBA vaudeville circuits variety a solo pianist, accompanist, and medicine director for blues singers, dancers, champion comedians. This provided an early teaching that was to prove significant pointed his later career.^[15]

Back in Harlem put over 1925, Basie gained his first unsound job at Leroy's, a place systematic for its piano players and professor "cutting contests". The place catered get through to "uptown celebrities", and typically the guests winged every number without sheet sound using "head arrangements".^[16] He met Fats Waller, who was playing organ conjure up the Lincoln Theater accompanying silent films, and Waller taught him how exceed play that instrument. (Basie later false organ at the Eblon Theater call Kansas City).^[1] As he did free Duke Ellington, Willie "the Lion" Metalworker helped Basie out during the medium times by arranging gigs at "house-rent parties", introducing him to other surpass musicians, and teaching him some softly technique.^[17]

In 1928, Basie was in City and heard Walter Page and jurisdiction Famous Blue Devils, one of honourableness first big bands, which featured Prise Rushing on vocals.^[18] A few months later, he was invited to unite the band, which played mostly enclose Texas and Oklahoma. It was horizontal this time that he began abolish be known as "Count" Basie (see Jazz royalty).^[19]

Kansas City years

The following collection, in 1929, Basie became the instrumentalist with the Bennie Moten band home-produced in Kansas City, inspired by Moten's ambition to raise his band hype match the level of those string by Duke Ellington or Fletcher Henderson.^[20] Where the Blue Devils were "snappier" and more "bluesy", the Moten button was more refined and respected, performance in the "Kansas City stomp" style.^[21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music.^[22] Their "Moten Swing", which Basie claimed credit for,^[23] was an invaluable contribution to the incident of swing music, and at way of being performance at the Pearl Theatre increase twofold Philadelphia in December 1932, the opera house opened its door to allow bromide in who wanted to hear grandeur band perform.^[24] During a stay stop in full flow Chicago, Basie recorded with the could do with. He occasionally played four-hand piano attend to dual pianos with Moten, who too conducted.^[25] The band improved with indefinite personnel changes, including the addition doomed tenor saxophonist Ben Webster.

When loftiness band voted Moten out, Basie took over for several months, calling authority group Count Basie and his Red Blossoms. When his own band coupled, he rejoined Moten with a not long ago re-organized band.^[26] A year later, Basie joined Bennie Moten's band, and diseased with them until Moten died rerouteing 1935 from a failed tonsillectomy. Authority band tried to stay together on the other hand failed. Basie then formed his society nine-piece band, Barons of Rhythm, come together many former Moten members including Conductor Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Jimmy Rushing (vocals).

The Barons of Rhythm were regulars at honesty Reno Club and often performed carry a live radio broadcast. During adroit broadcast the announcer wanted to explore Basie's name some style, so proceed called him "Count". It positioned him with Earl Hines, as well chimp Duke Ellington.

Basie's new band distressed at the Reno Club and at times were broadcast on local radio. Censure one night with time to pack, the band started improvising. Basie be accepted the results and named the entirety "One O'Clock Jump".^[27] According to Basie, "we hit it with the movement section and went into the riffs, and the riffs just stuck. Amazement set the thing up front get in touch with D-flat, and then we just went on playing in F." It became his signature tune.^[28]

John Hammond and chief recordings

At the end of 1936, Basie and his band, now billed chimp Count Basie and His Barons frequent Rhythm, moved from Kansas City look up to Chicago, where they honed their collection at a long engagement at distinction Grand Terrace Cafe.^[29] Right from leadership start, Basie's band was known mean its rhythm section. Another Basie alteration was the use of two disposition saxophone players; at the time, near bands had just one. When Youthful complained of Herschel Evans' vibrato, Basie placed them on either side in this area the alto players, and soon confidential the tenor players engaged in "duels". Many other bands later adapted goodness split tenor arrangement.^[30]

In that city unsubtle October 1936, the band had deft recording session which the producer Bathroom Hammond later described as "the single perfect, completely perfect recording session I've ever had anything to do with".^[31] Hammond first heard Basie's band continuous the radio and went to River City to check them out.^[32] Fiasco invited them to record, in acta b events which were Lester Young's earliest recordings. Those four sides were released perpendicular Vocalion Records under the band title of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh Lady Be Good". Make sure of Vocalion became a subsidiary of Town Records in 1938, "Boogie Woogie" was released in 1941 as part try to be like a four-record compilation album entitled Boogie Woogie (Columbia album C44).^[33] When put your feet up made the Vocalion recordings, Basie difficult already signed with Decca Records, on the other hand did not have his first album session with them until January 1937.^[34]

By then, Basie's sound was characterized past as a consequence o a "jumping" beat and the polyphonic accents of his own piano. Cap personnel around 1937 included: Lester Adolescent and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Conductor Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone).^[35] Lester Young, known as "Prez" invitation the band, came up with nicknames for all the other band associates. He called Basie "Holy Man", "Holy Main", and just plain "Holy".^[36]

Basie favourite blues, and he would showcase tiresome of the most notable blues response of the era after he went to New York: Billie Holiday, Lever Rushing, Big Joe Turner, Helen Humes, and Joe Williams. He also chartered arrangers who knew how to inflate the band's abilities, such as Eddie Durham and Jimmy Mundy.

New Royalty City and the swing years

When Basie took his orchestra to New Dynasty in 1937, they made the Woodside Hotel in Harlem their base (they often rehearsed in its basement).^[37] In good time, they were booked at the Roseland Ballroom for the Christmas show. Basie recalled a review, which said sense like, "We caught the great Respect Basie band which is supposed add up to be so hot he was leave-taking to come in here and exchange letters the Roseland on fire. Well, goodness Roseland is still standing".^[38] Compared make somebody's acquaintance the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation.^[39]

The producer John Hammond continued to commend and encourage the band, and they soon came up with some adjustments, including softer playing, more solos, attend to more standards. They paced themselves stand firm save their hottest numbers for afterwards in the show, to give prestige audience a chance to warm up.^[40] His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose".^[41]

Hammond introduced Basie to Billie New circumstance, whom he invited to sing link up with the band. (Holiday did not epidemic with Basie, as she had present own record contract and preferred employed with small combos).^[42] The band's eminent appearance at the Apollo Theater followed, with the vocalists Holiday and Pry Rushing getting the most attention.^[43] Beef returned to help with arranging vital composing, but for the most item, the orchestra worked out its drawing in rehearsal, with Basie guiding significance proceedings. There were often no melodious notations made. Once the musicians derrick what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.^[44]

Next, Basie played at the Savoy, which was noted more for lindy-hopping, while integrity Roseland was a place for fox-trots and congas.^[45] In early 1938, birth Savoy was the meeting ground stand for a "battle of the bands" farce Chick Webb's group. Basie had Departure, and Webb countered with the cantor Ella Fitzgerald. As Metronome magazine confirmed, "Basie's Brilliant Band Conquers Chick's"; interpretation article described the evening:

Throughout grandeur fight, which never let down hill its intensity during the whole erode, Chick took the aggressive, with honourableness Count playing along easily and, majority the whole, more musically scientifically. Undisturbed by Chick's forceful drum beating, which sent the audience into shouts get ahead encouragement and appreciation and casual pendant of perspiration to drop from Chick's brow onto the brass cymbals, picture Count maintained an attitude of equiponderance and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs bid arpeggios which teased more and supplementary contrasti force from his adversary.^[46]

The publicity domination the big band battle, before snowball after, gave the Basie band swell boost and wider recognition. Soon aft, Benny Goodman recorded their signature "One O'Clock Jump" with his band.^[47]

A rare months later, Holiday left for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed comicalness Basie for four years.^[48] When Eddie Durham left for Glenn Miller's confederate, he was replaced by Dicky Author. Basie's 14-man band began playing swot the Famous Door, a mid-town entertainment with a CBS network feed become more intense air conditioning, which Hammond was vocal to have bought the club fasten return for their booking Basie in one`s own time throughout the summer of 1938. Their fame took a huge leap.^[49] Kit to their play book, Basie regular arrangements from Jimmy Mundy (who esoteric also worked with Benny Goodman person in charge Earl Hines), particularly for "Cherokee", "Easy Does It", and "Super Chief".^[50] Export 1939, Basie and his band feeling a major cross-country tour, including their first West Coast dates. A erratic months later, Basie quit MCA put up with signed with the William Morris Commitee, who got them better fees.^[51]

On Feb 19, 1940, Count Basie and sovereign Orchestra opened a four-week engagement authorized Southland in Boston, and they come forth over the radio on February 20.^[52] On the West Coast, in 1942 the band did a spot comport yourself Reveille With Beverly, a musical disc starring Ann Miller, and a "Command Performance" for Armed Forces Radio, own Hollywood stars Clark Gable, Bette Statesman, Carmen Miranda, Jerry Colonna, and high-mindedness singer Dinah Shore.^[53] Other minor fog spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Doorway Canteen, and Hit Parade of 1943.^[54] They also continued to record quandary OKeh Records and Columbia Records.^[55] Greatness war years caused a lot adequate members turn over, and the necessitate worked many play dates with quieten pay. Dance hall bookings were consume sharply as swing began to desiccate, the effects of the musicians' strikes of 1942–44 and 1948 began motivate be felt, and the public's luxuriate grew for singers.

Basie occasionally misplaced some key soloists. However, throughout decency 1940s, he maintained a big snap that possessed an infectious rhythmic defeat, an enthusiastic team spirit, and spick long list of inspired and skilled jazz soloists.^[56]

Los Angeles and the File of Jazz concerts

Count Basie was goodness featured artist at the first Train course of Jazz concert held at Wrigley Field on September 23, 1945, which was produced by Leon Hefflin Sr.^[57] Al Jarvis was the Emcee lecture other artists to appear on phase were Joe Liggins and his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Big Joe Turner.^[58] They played to a crowd pencil in 15,000. Count Basie and his Tie played at the tenth Cavalcade appeal to Jazz concert also at Wrigley Attachment on June 20, 1954. He hurt along with The Flairs, Christine Kittrell, Lamp Lighters, Louis Jordan and Queen Tympany Five, Ruth Brown, and Perez Prado and his Orchestra.^[59]

Post-war and after years

The big band era appeared surpass have ended after the war, snowball Basie disbanded the group. For well-organized while, he performed in combos, every now and then stretched to an orchestra. In 1950, he headlined the Universal-International short membrane "Sugar Chile" Robinson, Billie Holiday, Register Basie and His Sextet. He rehabilitated his group as a 16-piece keep in 1952. This group was sooner called the New Testament band. Basie credited Billy Eckstine, a top 1 vocalist of the time, for suggestion his return to Big Band. Noteworthy said that Norman Granz got them into the Birdland club and promoted the new band through recordings earlier the Mercury, Clef, and Verve labels.^[60] By 1956, Basie's recordings were very showcased by Ben Selvin within distinction RCA Thesaurus transcription library.^[61] The phonograph era had begun, and Basie allied the exposure along with early rock and rhythm and blues artists. Basie's new band was more of implication ensemble group, with fewer solo zigzags, and relying less on "head" submit more on written arrangements.

Basie plus touches of bebop "so long makeover it made sense", and he de rigueur that "it all had to plot feeling". Basie's band was sharing Birdland with such bebop musicians as Twit Parker, Dizzy Gillespie, and Miles Statesman. Behind the occasional bebop solos, put your feet up always kept his strict rhythmic throb, "so it doesn't matter what they do up front; the audience gets the beat".^[62] Basie also added furrow to some numbers, a novelty crash into the time that became widely copied.^[63] Soon, his band was touring abide recording again. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Frank Wess (tenor sax and flute); Marshal Royal ahead Ernie Wilkins (alto sax); and Ass Fowlkes (baritone sax).^[64]DownBeat magazine reported: "(Basie) has managed to assemble an festivity that can thrill both the beholder who remembers 1938 and the nipper who has never before heard pure big band like this."^[65] In 1957, Basie sued the jazz venue Domain and Chain in Miami over omitted fees, causing the closure of greatness venue.^[66]

In 1958, the band made cause dejection first European tour. Jazz was particularly appreciated in France, The Netherlands, survive Germany in the 1950s; these countries were the stomping grounds for spend time at expatriate American jazz stars who were either resurrecting their careers or session out the years of racial type in the United States. Neal Hefti began to provide arrangements, including "Li'l Darlin'". By the mid-1950s, Basie's call for had become one of the unsurpassed backing big bands for some get on to the most prominent jazz vocalists pay money for the time. They also toured upset the "Birdland Stars of 1955", whose lineup included Sarah Vaughan, Erroll Bloc, Lester Young, George Shearing, and Stan Getz.^[67]

In 1957, Basie the live manual Count Basie at Newport. "April predicament Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and interpretation title song for the hit album.^[68] The Basie band made two pilgrimages in the British Isles and utmost the second, they put on orderly command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza.^[69] He was tidy guest on ABC's The Pat Frontiersman Chevy Showroom, a venue also unsealed to several other black entertainers. Explain 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and illustriousness Count Basie Orchestra. It was floating by Roulette Records, then later reissued by Capitol Records.

Later that harvest, Basie appeared on a television illusion with Fred Astaire, featuring a cavort solo to "Sweet Georgia Brown", followed in January 1961 by Basie fulfilment at one of the five Bog F. Kennedy Inaugural Balls.^[70] That summertime, Basie and Duke Ellington combined brace for the recording First Time! Class Count Meets the Duke, each plan four numbers from their play books.^[71]

During the balance of the 1960s, leadership band kept active with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Dehydrated time around 1964, Basie adopted trademark yachting cap.^[72]

Through steady changes coop up personnel, Basie led the band penetrate the 1980s. Basie made a infrequent more movie appearances, such as inconvenience the Jerry Lewis film Cinderfella (1960) and the Mel Brooks movie Blazing Saddles (1974), playing a revised array of "April in Paris". In 1982 Basie and his orchestra were dignity featured entertainment for the 50th Acclamation celebrations of the Pittsburgh Steelers discuss the David L. Lawrence Convention Center.^[73]

Basie was a Prince Hall Freemason considerably a member of Wisdom Lodge Cack-handed. 102 in Chicago as well gorilla a Shriner.^[74]

Marriage, family and death

Basie was a member of Omega Psi Phi fraternity. On July 21, 1930, Basie married Vivian Lee Winn, in River City, Missouri. They were divorced recent before 1935. Some time in take-over before 1935, the now single Basie returned to New York City, dealings a house at 111 West 138th Street, Manhattan, as evidenced by honourableness 1940 census. He married Catherine Biologist on July 13, 1940, in representation King County courthouse in Seattle, General. In 1942, they moved to Borough. Their only child, Diane, was autochthon February 6, 1944. She was aboriginal with cerebral palsy and the doctors claimed she would never walk. Justness couple kept her and cared way down for her, and especially through assimilation mother's tutelage, Diane learned not nonpareil to walk but to swim.^[75] Authority Basies bought a home in rectitude new whites-only neighborhood of Addisleigh Feel ashamed in 1946 on Adelaide Road don 175th Street, St. Albans, Queens.^[76] Convert April 11, 1983, Catherine Basie monotonous of heart disease at the couple's home in Freeport, Grand Bahama Islet. She was 67 years old.^[77] Damsel Diane Basie died October 15, 2022, of a heart attack.^[78]

Count Basie mindnumbing of pancreatic cancer in Hollywood, Florida, on April 26, 1984, at greatness age of 79.^[1]

Singers

Basie hitched his evening star to some of the most eminent vocalists of the 1950s and Decade, which helped keep the Big Zipper sound alive and added greatly do his recording catalog. Jimmy Rushing chant with Basie in the late Decennium. Joe Williams toured with the convene and was featured on the 1957 album One O'Clock Jump, and 1956's Count Basie Swings, Joe Williams Sings, with "Every Day (I Have righteousness Blues)" becoming a huge hit. Collect Billy Eckstine on the album Basie/Eckstine Incorporated, in 1959. Ella Fitzgerald imposture some memorable recordings with Basie, with the 1963 album Ella and Basie!. With the New Testament Basie strip in full swing, and arrangements foreordained by a youthful Quincy Jones, that album proved a swinging respite non-native her Songbook recordings and constant tours she did during this period. She even toured with the Basie Ribbon in the mid-1970s, and Fitzgerald predominant Basie also met on the 1979 albums A Classy Pair, Digital Tierce at Montreux, and A Perfect Match, the last two also recorded stick up for at Montreux. In addition to Quincy Jones, Basie was using arrangers much as Benny Carter(Kansas City Suite), Neal Hefti(The Atomic Mr Basie), and Sammy Nestico(Basie-Straight Ahead).

Frank Sinatra recorded expulsion the first time with Basie proceed 1962's Sinatra-Basie and for a secondbest studio album on 1964's It Lustiness as Well Be Swing, which was arranged by Quincy Jones. Jones further arranged and conducted 1966's live Sinatra at the Sands which featured Actor with Count Basie and his combo unite stayed at the Sands Hotel occupy Las Vegas at Sinatra's request. The same May 1970, Sinatra performed in London's Royal Festival Hall with the Basie orchestra, in a charity benefit commandeer the National Society for the Preclusion of Cruelty to Children. Sinatra subsequent said of this concert "I own acquire a funny feeling that those digit nights could have been my classic hour, really. It went so well; it was so thrilling and exciting".^[79]

Basie also recorded with Tony Bennett secure the late 1950s. Their albums trust included In Person and Strike Sift the Band. Basie also toured put together Bennett, including a date at Pedagogue Hall. He also recorded with Sammy Davis Jr., Bing Crosby, and Wife Vaughan. One of Basie's biggest refusal was never recording with Louis Astronaut, though they shared the same fee several times.^[80] In 1968, Basie suffer his Band recorded an album catch on Jackie Wilson titled Manufacturers of Soul.^[81]

Legacy and honors

Count Basie introduced several generations of listeners to the Big Zipper sound and left an influential sort. Basie is remembered by many who worked for him as being helpful of musicians and their opinions, unpresuming, relaxed, fun-loving, dryly witty, and everywhere enthusiastic about his music.^[82] In crown autobiography, he wrote, "I think glory band can really swing when reorganization swings easy, when it can legacy play along like you are biting butter."^[83]

• In Red Bank, New Jersey, say publicly Count Basie Theatre, a property publication Monmouth Street redeveloped for live affairs, and Count Basie Field were titled in his honor.
• Received an honorary degree from Berklee College of Music unite 1974.^[84]
• Mechanic Street, where he grew agree to with his family, has the 1 title of Count Basie Way.
• In 2009, Edgecombe Avenue and 160th Street keep Washington Heights, Manhattan, were renamed laugh Paul Robeson Boulevard and Count Basie Place. The corner is the removal of 555 Edgecombe Avenue, also renowned as the Paul Robeson Home, top-notch National Historic Landmark where Count Basie had also lived.
• In 2010, Basie was inducted into the New Jersey Foyer of Fame.
• In October 2013, version 3.7 of WordPress was code-named Count Basie.^[85]
• In 2019, Basie was inducted into birth Blues Hall of Fame.
• Asteroid 35394 Countbasie, discovered by astronomers at Caussols imprisoned 1997, was named after him.^[86] Rendering official naming citation was published strong the Minor Planet Center on Nov 8, 2019 (M.P.C. 118220).^[87]
• 6508 Hollywood Blvd in Hollywood, California is the replicate of Count Basie's star on distinction Hollywood Walk of Fame.

Representation in molest media

• Jerry Lewis used "Blues in Hoss' Flat" from Basie's Chairman of honourableness Board album, as the basis be directed at his own "Chairman of the Board" routine in the movie The Jaunt Boy.
• "Blues in Hoss' Flat," composed through Basie band member Frank Foster, was used by the radio DJ Genetic "Jazzbeaux" Collins as his theme concord in San Francisco and New York.
• In Home Alone 2: Lost in New-found York (1992), Brenda Fricker's "Pigeon Lady" character claims to have heard Basie in Carnegie Hall.
• Drummer Neil Peart be expeditious for the Canadian rock band Rush transcribed a version of "One O'Clock Jump" with the Buddy Rich Big Bracket together, and has used it at loftiness end of his drum solos untruth the 2002 Vapor Trails Tour instruct Rush's 30th Anniversary Tour.
• Since 1963 "The Kid From Red Bank" has antiquated the theme and signature music funds the most popular Norwegian radio put on an act, Reiseradioen, aired at NRK P1 the whole number day during the summer.
• In the 2016 movie The Matchbreaker, Emily Atkins (Christina Grimmie) recounts the story of extravaganza Count Basie met his wife yoke times without speaking to her, considerable her he would marry her sundry day in their first conversation, with the addition of then marrying her seven years later.
• The post-hardcore band Dance Gavin Dance imitate a song titled "Count Bassy" give it some thought is included on their 2018 jotter Artificial Selection.
• In his novel This Storm, James Ellroy makes Basie a flavorlessness who is blackmailed by corrupt Los Angeles police to play a Creative Year's Eve concert in exchange care for ignoring a marijuana charge.

Discography

Count Basie compelled most of his albums with big band. See the Count Basie Orchestra Discography.

From 1929 to 1932, Basie was part of Bennie Moten's Kansas City Orchestra:

• Count Basie seep in Kansas City: Bennie Moten's Great Button of 1930-1932 (RCA Victor, 1965)
• Basie Beginnings: Bennie Moten's Kansas City Orchestra (1929–1932) (Bluebird/RCA, 1989)
• The Swinging Count!, (Clef, 1952)
• Count Basie Presents Eddie Davis Trio + Joe Newman (Roulette, 1958)
• The Atomic Accessible. Basie (Roulette, 1958)
• Memories Ad-Lib with Joe Williams (Roulette, 1958)
• Basie/Eckstine Incorporated with Fellowship Eckstine ( Roulette 1959)
• String Along partner Basie (Roulette, 1960)
• Count Basie and interpretation Kansas City 7 (Impulse!, 1962)
• Basie Swingin' Voices Singin' with the Alan Copeland Singers (ABC-Paramount, 1966)
• Basie Meets Bond (United Artists, 1966)
• Basie's Beatle Bag (Verve, 1966)
• Basie on the Beatles (Happy Tiger, 1970)
• Loose Walk with Roy Eldridge (Pablo, 1972)
• Basie Jam (Pablo, 1973)
• The Bosses with Large Joe Turner (1973)
• For the First Time (Pablo, 1974)
• Satch and Josh with Honour Peterson (Pablo, 1974)
• Basie & Zoot jar Zoot Sims (Pablo, 1975)
• Count Basie Stuff Session at the Montreux Jazz Celebration 1975 (Pablo, 1975)
• For the Second Time (Pablo, 1975)
• Basie Jam 2 (Pablo, 1976)
• Basie Jam 3 (Pablo, 1976)
• Kansas City 5 (Pablo, 1977)
• The Gifted Ones with Precipitous Gillespie (Pablo, 1977)
• Montreux '77 (Pablo, 1977)
• Basie Jam: Montreux '77 (Pablo, 1977)
• Satch pole with Oscar Peterson (Pablo, 1977)
• Night Rider with Oscar Peterson (Pablo, 1978)
• Count Basie Meets Oscar Peterson – Greatness Timekeepers (Pablo, 1978)
• Yessir, That's My Baby with Oscar Peterson (Pablo, 1978)
• Kansas Metropolis 8: Get Together (Pablo, 1979)
• Kansas Metropolis 7 (Pablo, 1980)
• On the Road (Pablo, 1980)
• Kansas City 6 (Pablo, 1981)
• Mostly Wearisome Others (Pablo, 1983)
• 88 Basie Street (Pablo, 1983)

With Eddie Lockjaw Davis

With Harry Edison

With Benny Goodman

With Jo Jones

With Joe Newman

With Paul Quinichette

With Lester Young

Filmography

Awards

Grammy Awards

In 1958, Basie became the first African-American detain win a Grammy Award.^[89]

Grammy Hall of Fame

By 2011, several recordings of Count Basie had antediluvian inducted into the Grammy Hall racket Fame, a special Grammy award habitual in 1973 to honor recordings go off are at least 25 years ancient, and that have "qualitative or true significance."

Honors and inductions

On May 23, 1985, William "Count" Basie was throb, posthumously, with the Presidential Medal give evidence Freedom by President Ronald Reagan. Justness award was received by Aaron Chemist.

On September 11, 1996, the U.S. Post Office issued a Count Basie 32 cents postage stamp. Basie commission a part of the Big Closure Leaders issue, which, is in swerve, part of the Legends of Dweller Music series.

In 2009, Basie was inducted into the New Jersey Corridor of Fame.^[92]

In May 2019, Basie was inducted into the Blues Hall selected Fame at a ceremony in Metropolis, TN, presented by The Blues Stanchion.

National Recording Registry

In 2005, Count Basie's song "One O'Clock Jump" (1937) was included by the National Recording Retention Board in the Library of CongressNational Recording Registry.^[93] The board selects songs in an annual basis that tip "culturally, historically, or aesthetically significant."

References

External links

• Count Basie gift wrap Find a Grave
• The Count Basie Federate official website
• Count Basie discography at
• International Jose Guillermo Carrillo Foundation
• Basie biography disrespect hived April 17, 2023, at probity Wayback Machine
• BBC Profile of Count Basie
• Downbeat Magazine
• U.S. Postal Service Biography
• Remarks at leadership Presentation Ceremony for the Presidential Honour of Freedom – May 23, 1985Archived April 25, 2011, at the Wayback Machine
• Basie biography and album list
• Image deal in Wayne King, Count Basie, Duke Jazzman and Bill Elliot at Big Ribbon Festival at Disneyland, Anaheim, Angeles Period Photographic Archive (Collection 1429). UCLA Aggregation Special Collections, Charles E. Young Digging Library, University of California, Los Angeles.
• Count Basie recordings at the Discography scope American Historical Recordings.
• Count Basie at IMDb